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( The review is still up.)O’Connell’s speech that night ended with what at first seems like a slightly schlocky pep talk for wannabe pop idols, although on closer inspection was also a moment of realisation and self-reflection for the siblings, a memo from the future to their past lives about the inconceivable triumphs ahead: “You know, we just make music in a bedroom together. Tons of awesome BTS 2021 laptop wallpapers to download for free.On the wall, just above where Eilish is still playing piano – while the rest of her management and press caravan settle, unpack laptops from backpacks, plug in iPhones and make coffee – there’s a red neon sign, unlit, that reads “10,000 hours”, a personal ode to big thinker Malcolm Gladwell and his book Outliers, in which the New Yorker writer proposed that to become great one must devote, on average, 20 hours of work a week for ten years.Before his current incarnation as songwriting partner for Eilish and self-taught producer (he coproduced “Lose You To Love Me” for Selena Gomez), O’Connell was an actor ( Glee Modern Family), a band member (The Slightlys) and a very occasional book reviewer.In 2015, not long before he asked his little sister (who was then 13) to sing vocals on a song he’d written for his own band, called “Ocean Eyes”, which was then uploaded to SoundCloud, thus triggering industry interest and starting this whole culture-quaking journey, he reviewed Gladwell’s now oft quoted book for a parenting website called yourteenmag.com. - You can set as Lock Screen.Kobalt’s dashboard can show an artist that a single song, such as “Bad Guy” – Eilish and O’Connell’s unconventional monster smash from 2019, which carried their music and her self-honed, pop-gone-weird image to a global, ageless, genreless audience – can have as many as half a million separate revenue streams.K-pops BTS loses to Lady Gaga and Ariana Grande in a star-studded Grammys field that. - You can set all pictures as wallpaper. - You can share all images to others.
They all should have won.”Then, on the night, shortly after winning Best Rap Album, Tyler, The Creator responded to a question about categorisation with a provocative statement, nonchalantly delivered: “I’m very grateful that what I made could just be acknowledged in a world like this,” he told reporters backstage with his arms folded behind his back. She pulls her fingers through her thick hair, which at first was tied up but is now being rearranged into some sort of detonated green-and-black anime bun. “I was embarrassed!”As Eilish laughs she scrunches her face into her porcelain hands, which are half covered by the arms of her hoodie. (She actually smiles a great deal, whatever you’ve heard about her so-called quintessential teenage sulkiness.) Yet I couldn’t help notice, I comment, she seemed almost embarrassed by the win on stage. And she smiles that big conspiratorial smile of hers. You’re going to get one of these.”What a fairy tale ending to such a beginning, I tell Eilish.
“Spotify-core” was used by the New York Times journalist Jon Caramanica to describe music that, with hushed vocals and a woozy, slow backbeat, is pleasant yet utterly forgettable – not something you would stop the stream for.Anyone who has heard anything by Eilish and O’Connell knows these clumsy portmanteaus simply don’t stick. “Streambait” or “Spotify-core” are two such terms bandied about in regards to her output by chin-stroking music critics.The writer Liz Pelly coined the term “streambait” in a 2018 essay, referring to the “idea of creating music that people will stream and continue to stream, similar to the concept of clickbait”. Older, predominately white men, who still run the lion’s share of the boardrooms in the music industry, have continually tried to pin genres and types to both Eilish’s unique image and her creative output, whether that be the songs she sings, the clothes she wears or the videos she directs. Why can’t we just be in pop?”“I have always hated categories,” Eilish concurs when I ask what her reaction was to Tyler’s comments. I don’t like that ‘urban’ word – it’s just a politically correct way to say the n-word, to me.
Don’t judge an artist off the way someone looks or the way someone dresses. I agree with him about that term. You sound like “blank”.’ It was such a cool thing Tyler said. (Also, the first time anyone hears Eilish’s music, that resonating voice that sounds like a cross between ASMR and when you run a wet finger along the rim of a wine glass, they look up.)“I hate when people say, ‘Oh, you look like “blank”.
Just because I am a white teenage female I am pop. The world wants to put you into a box I’ve had it my whole career. Why? They just judge from what you look like and what they know.
We always had music in the car, that sort of thing. You know, family music, sing-along-with-your-kids-type stuff. Suddenly my boobs are trending on Twitter’“We taught her through a music programme called Music Together,” Maggie continues, “sort of an online music resource. So close are the pair that when Eilish started going on playdates with other children, she would suffer from separation anxiety.‘I wake up one day and decide to wear a tank top. “We got the grand piano off Craigslist and the other piano was my childhood upright piano from Colorado.” Maggie has, of course, been at her daughter’s side all the way through this extraordinary four-and-a-half-year journey, from the moment Eilish recorded “Ocean Eyes” – the song was adapted from her brother’s band’s original as a choreography soundtrack for one of Billie’s dance classes – to when the entire team travelled secretly to London in December last year to record the new James Bond theme song with guitarist Johnny Marr and composer Hans Zimmer. This has everything to do with the way her mother, Maggie Baird, and father, Patrick O’Connell, decided to raise their two children, yet nothing to do with them being pushy, success-hungry tiger parents.“Our little house had three pianos in it and probably four guitars,” Maggie says.
For Billie it was dance and choir.” What about, you know, algebra? “Basic maths, of course, we did, but all the critical thinking that higher maths teaches can all be learnt from board games. The Columbine school massacre happened and we just decided shortly after we should take them out of this system that everyone just goes along with, a system that was really put in place to feed the need for workers during the industrial revolution.” So the story about her husband, Billie’s father, reading an interview about the band Hanson, the kids behind “Mmmbop”, and getting inspired isn’t true? “Oh, no, that’s all true,” she says, laughing.‘My past boyfriends never made me feel desired’“We used a technique called ‘strewing’, which means you scatter objects and ideas, books and activities in front of them and see which the child gravitates towards. It just stayed with me.“We’d had Billie relatively late in life and we just wanted to spend as much time as possible with our kids. I remember having a conversation with him and he commented, ‘Well, there’s a lot of time wasted in schools.’ And he was a teacher. My own dad was a school principal in Colorado.
She had to do it all herself – everything. And, yes, that same person, who was so challenging as a kid, made me want to pull my hair out.“Billie wouldn’t let you do anything for her, wouldn’t even let me buckle her up in a car seat. I see it still now when she plays shows, like Coachella, standing in front of these huge crowds, her hair blowing in the wind with that fixed gaze. Surely, with a teenage girl growing up in the cosmopolis of LA there must have been some challenging times? “Of course.
You think they’re all grown up and as a parent you can maybe think about getting some of your own life back. Teenagers need more attention than toddlers. And the older she got the more I needed to be there, especially the last few years.
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